![]() It's a little underexposed so we'll add a bit exposure, making sure not to clip anything. The water is actually blue now and the sea lions are looking a little bit more natural.īut in the waveform we've still got plenty of room to make adjustments, especially in the Highlights. You can see the before and after and notice there’s a massive difference. Right off the bat, you can see it adds a ton of color contrast and saturation, all that good stuff. 709 so I'm just going to select the first option. So this was S-Log 3, Gamma3.cine and I want to convert to Rec. Some people will sell them, but you can just get them for free from the website. Now, every camera manufacturer will have their own conversion LUTs for free on their website. In the Lumetri Panel > Basic Correction > Input LUT and find your conversion LUT. Select New Item > Adjustment Layer, and drag that on top of your footage. But the fastest way is just to add a Conversion LUT. Next, I want to convert this from a Log profile to Rec. ![]() If your waveform doesn't look like mine, or you don't see a waveform at all, you can right click and choose Waveform > Waveform Type > Luma. If your workspace doesn't look like this, you can go to Window > Workspaces > Choose Color. The first thing I'm going to do is pull up my Lumetri Scopes located next to Effects Control. These are just some sea lions shot in the Sea of Cortez a few weeks ago by our friend Nirupam over at Bluewater Photo. I'm over in Premiere right now and I've selected my clip. If you'd rather read along, scroll down.īe sure to check out the ZV-E1 results video for more awesome footage from this powerful compact mirrorless camera. This video walks through how to color grade the raw S-Log 3 footage to enhance the deep blue waters and bring out color, contrast, and clarity in the subject. Nirupam Nigam of Bluewater Photo Store and Underwater Photography Guide came back from shooting the Sony ZV-E1 in an Ikelite housing in La Paz, Mexico.
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